- 1:1 actions citizenship community competitions context craftsmanship dialogue digital interface documenting edible plants ethics everyday life experiments gesture housing infrastructures inspiration interdisciplinarity inventory logistics manufacturing masterplan materials matters of concern maximal presence minimal economy negotiating off-site production off the grid organizing place projects by invitation projects with a client proposal public space reclycled materials reflecting regulations representation research by practice rituals rural self-initiated projects sidewalks storytelling street-level suburban temporality the mill the office transformations urban variability village welfare society working with children working with students
rituals
Vandfang
Foto: Karin Lind
Vandfang er produceret til gruppeudstillingen “Himmelvendt” hos t e k s a s, kurateret af billedkunstner Karin Lind. Støttet af Statens Kunstfond.
Bosætning 2017
Bosætning 2017 analyserede otte forskellige, men eksemplariske danske bosætninger i tegning og model 1:50: Albertslund Syd, Cirkus Benneweis, Christiania, De runde haver i Nærum, Frederiksholms Haveby, Hornbækhus, Skrammellegepladsen i Emdrup og Volsted Forteby. Syv lærere fra Arkitektskolens fire institutter dannede par med syv performere fra Metropolis om 1:1 byggestudier på Refshaleøen. Samarbejdet kulminerede i en performativ installation med sted, rum, krop og arkitektur i samspil.
East West River
Installationsbidrag til udstillingen “En blank og vårfrisk dag”- kurateret af Kasper Lynge Jensen, der har bedt forskellige kunstnere skabe værker ud fra begreberne fællesskab og solidaritet. Hvad betyder begreberne i dag – og hvordan kommer de til udtryk i det daglige?
Verden ligger under dine fødder
Verden ligger under dine fødder er en installation hos Dansk Standardpoesi på Vejen Kunstmuseum. Installationen henter sit materiale både over og under jorden. Udgangspunktet er planten, Stor Nælde (Brændenælde), der ikke vokser nede fra og op, men horisontalt fra midten og ud i mange forskellige retninger. SEE MORE >
Stadium NOWHERE Walk
Stadium NOWHERE is a collaborative creation of a situation – “Now and Here”, which deals with a place unable to adapt to new demands. In the shape of seven nomadic structures, the history of the Plečnik Stadium is unfolded, visualized, built and carried by architectural students from The Faculty of Architecture in Ljubljana into the city to engage with public and the static buildings of Jože Plečnik . Stadium NOWHERE
Pandaler – Fortov – Banyans
Mere end 2000 pandaler – 1:1 bygningskonstruktioner, der midlertidigt skal ’huse’ gudinden Durga – skyder op rundt omkring i Kolkata under festivalen Durga Puja. De kiler sig ind i byens offentlige rum – okkuperer pladser, dele af fortov og kørebaner, så trafikken må omdirigeres.
Notes
25/09/2014
1:1, actions, citizenship, community, competitions, context, craftsmanship, experiments, gesture, housing, infrastructures, inventory, logistics, materials, place, public space, reclycled materials, regulations, representation, rituals, storytelling, street-level, temporality, transformations
1:1, actions, citizenship, community, competitions, context, craftsmanship, experiments, gesture, housing, infrastructures, inventory, logistics, materials, place, public space, reclycled materials, regulations, representation, rituals, storytelling, street-level, temporality, transformations
Skorstenshus
Skorstenshus er opført på invitation af Sejerø Festival.
Det fungerede som Tehus under Sejerø Festival 2014.
Byggeassistenter: Pernille Holm Mogensen, Anders CA, Camilla Mengel, Lea Steensdatter
Se billedserie fra Sejerø Festival 2014 hos Kopenhagen.
Træ – ild – vand
Der findes alternativer til trykimprægnering af træ. Et af dem er at forkulle træet – en teknik anvendt af såvel vikingerne som japanerne.
Flora Indica Clay Cups
Flora Indica Clay Cups is a pottery created for the projekt Streetkitchen_Kolkata in 2013. It was produced in collaboration with a local clay cup maker in Kolkata as a counterpart to the exclusive danish dinnerware Flora Danica by Royal Copenhagen. Seeds from native indian plants were used for making a seedstamp on ordinary clay cups in order to make it possible for a future random garden to grow in the city on locations where chai customers throw their used Flora Indica Clay Cup.
Objects
06/12/2013
1:1, actions, citizenship, community, context, craftsmanship, dialogue, documenting, edible plants, everyday life, experiments, gesture, infrastructures, manufacturing, materials, matters of concern, maximal presence, minimal economy, place, public space, reclycled materials, research by practice, rituals, self-initiated projects, street-level, temporality, transformations
1:1, actions, citizenship, community, context, craftsmanship, dialogue, documenting, edible plants, everyday life, experiments, gesture, infrastructures, manufacturing, materials, matters of concern, maximal presence, minimal economy, place, public space, reclycled materials, research by practice, rituals, self-initiated projects, street-level, temporality, transformations
Husmøbler
Husmøbler er en serie af forskellige bærbare konstruktioner som peger på basale, rumlige og kropslige livsformer. Husmøblerne kan arves og flyttes som møbler, men er på størrelse med små huse. De stiller spørgsmål til begreberne hjemlighed og hjemløshed: – hvad bor i møblet ? – og hvilken sammenhæng bor møblet i?
Objects
01/08/2012
1:1, citizenship, community, context, craftsmanship, dialogue, everyday life, experiments, gesture, housing, manufacturing, materials, matters of concern, maximal presence, minimal economy, off the grid, place, public space, research by practice, rituals, sidewalks, street-level, temporality, variability
1:1, citizenship, community, context, craftsmanship, dialogue, everyday life, experiments, gesture, housing, manufacturing, materials, matters of concern, maximal presence, minimal economy, off the grid, place, public space, research by practice, rituals, sidewalks, street-level, temporality, variability